Fiction of the Physical: The Music of Ellen Zweig, by Ellen Zweig

Fiction of the Physical: The Music of Ellen Zweig

by Ellen Zweig

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Cee Sawyer That these pioneering pieces were recorded in the 70s/80s blows my mind. Spellbinding. Favorite track: Network of Letters.

Frotting Christ my life and my view of the world is better because this was released

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Record/Vinyl + Digital Album
Featuring new artwork from Ellen Zweig's frequent collaborator Alice Prussin

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1.	Sensitive Bones 09:54	buy track
2.	Act of Watching 11:28	buy track
3.	Network of Letters 07:33	buy track
4.	If Archimedes 09:55	buy track
5.	Green Silk [digital bonus track] 07:10	buy track

about

"Crystalline examples of Zweig’s aesthetic and brilliance...A labyrinth of sound worth getting lost in."
Paste Magazine

US poet Ellen Zweig combines experimental spoken word with ambient, fourth world minimalism for the first ever release of key 70s and 80s works Fiction of the Physical.

In the 1970s, Ellen Zweig was a young poet experimenting with poetry as performance. Her presence in New York’s Downtown scene, even during a period of such creative and artistic fertility, represented an astute and profoundly expressive voice. By 1980, and her two pieces “Network of Letters” and “Sensitive Bones” (both collected here on Fiction of the Physical), Zweig had introduced and perfected a technique she named the “human loop”, directing multiple performers to repeat a single poetic phrase over and over as they recorded to tape. Inevitably, the loops phase in and out of synchronisation over time, creating a sonic collage of drifting, rippling syllabic waves that rise and fall with natural tides. The text becomes performance, and in turn it becomes dreamily and hypnotically abstracted from the written word.

An astonishingly singular collection, created from a unique creative vision, Fiction of the Physical offers few reference points. Zweig intentionally disrupts of fourth wall convention and applies of spoken word as a musical device, a pioneering early female voice in underground avant garde scenes. Even her veil of “ambient music” is made porous enough to allow challenging and atonal sonics into the tapestry.

credits

released May 19, 2023

mastered by Alyn Sclosa
photography by Alice Prussin
produced by David Weinstein and Dylan Henner

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Phantom Limb Brighton, UK

Weird jams
Since 2017

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